July 22nd, 1857 - Nathaniel Hawthorne moves to Old Trafford

 

OLD TRAFFORD, MANCHESTER.
July 22d. 1857

Exterior of the Art Treasures Palace, 1857

 — We left Southport for good on the 20th, and have established ourselves in this place, in lodgings that had been provided for us by Mr. Swain; our principal object being to spend a few weeks in the proximity of the Arts’ Exhibition. We are here, about three miles from the Victoria Railway station in Manchester on one side, and nearly a mile from the Exhibition on the other.

This is a suburb of Manchester, and consists of a long street, called the Stretford Road, bordered with brick houses two stories high, such as are usually the dwellings of tradesmen or respectable mechanics, but which are now in demand for lodgings, at high prices, on account of the Exhibition. It seems to be rather a new precinct of the city, and the houses, though ranged along a continuous street, are but a brick border of the green fields in the rear.

Triumphal Arch  at Stretford Road, Manchester

Occasionally you get a glimpse of this country aspect between two houses; but the street itself, even with its little grass-plots and bits of shrubbery under the front windows, is as ugly as it can be made. Some of the houses are better than I have described; but the brick used here in building is very unsightly in hue and surface.

Three Horse Omnibus, Manchester 
 

Betimes in the morning the Exhibition omnibuses begin to trundle along, and pass at intervals of two and a half minutes through the day, — immense vehicles constructed to carry thirty-nine passengers, and generally with a good part of that number inside and out. The omnibuses are painted scarlet, bordered with white, have three horses abreast, and a conductor in a red coat. They perform the journey from this point into town in about half an hour; and yesterday morning, being in a hurry to get to the railway station, I found that I could outwalk them, taking into account their frequent stoppages.

Town Hall, Stretford Road, Manchester, 1857 

We have taken the whole house (except some inscrutable holes, into which the family creeps), of respectable people, who never took lodgers until this juncture. Their furniture, however, is of the true lodging-house pattern, sofas and chairs which have no possibility of repose in them; rickety tables; an old piano and old music, with “Lady Helen Elizabeth” somebody’s name written on it. It is very strange how nothing but a genuine home can ever look homelike. They appear to be good people; a little girl of twelve, a daughter, waits on table; and there is an elder daughter, who yesterday answered the doorbell, looking very like a young lady, besides five or six smaller children, who make less uproar of grief or merriment than could possibly be expected. The husband is not apparent, though I see his hat in the hall.

The house is new, and has a trim, light-colored interior of half-gentility. I suppose the rent, in ordinary times, might be 25 pounds per annum; but we pay at the rate of 35 pounds for the part which we occupy. This, like all the other houses in the neighborhood, was evidently built to be sold or let; the builder never thought of living in it himself, and so that subtle element, which would have enabled him to create a home, was entirely left out.

Nathaniel Hawthorne




Nathaniel Hawthorne had handed in his notice as US Consul to Liverpool in February 1857 and now he is just biding his time, waiting for the cake and the leaving do. The new boy will be in post in August. Hawthorne is commuting to Liverpool, but not every day.

The family have left their lodgings in Southport and moved to the outskirts of Manchester to be close to the "Gems of Art Treasures Exhibition" which runs from May to October 1857. Their lodgings have been found for them by a Mr Swain, whom Hawthorne met on a previous trip to Manchester, in May 1856:

The same day [22nd May 1856] I took the rail from the Lime Street station for MANCHESTER, to meet Bennoch, who had asked me thither to dine with him. 

You may remember Bennoch from 1856, businessman, friend of the literati. Read more here

I had never visited Manchester before, though now so long resident within twenty miles of it; neither is it particularly worth visiting, unless for the sake of its factories, which I did not go to see. It is a dingy and heavy town, with very much the aspect of Liverpool, being, like the latter, built almost entirely within the present century. 

Albion Hotel, Manchester (& Peel Statue)

I stopped at the Albion Hotel, and, as Bennoch was out, I walked forth to view the city, and made only such observations as are recorded above. Opposite the hotel stands the Infirmary,--a very large edifice, which, when erected, was on the outskirts, or perhaps in the rural suburbs, of the town, but it is now almost in its centre.

Statue of Robert Peel

In the enclosed space before it stands the statue of Peel, and sits a statue of Dr. Dalton, the celebrated chemist, who was a native of Manchester.

Bennoch was one of the friends that Hawthorne made in Britain, the other being Henry Bright. 

Returning to the hotel, I sat down in the room where we were to dine, and in due time Bennoch made his appearance, with the same glow and friendly warmth in his face that I had left burning there when we parted in London. If this man has not a heart, then no man ever had. I like him inexpressibly for his heart and for his intellect, and for his flesh and blood; and if he has faults, I do not know them, nor care to know them, nor value him the less if I did know them. 

And you thought Hawthorne hadn't a good word to say about anybody. Then, along came Charles Swain, the poet.

He went to his room to dress; and in the mean time a middle-aged, dark man, of pleasant aspect, with black hair, black eyebrows, and bright, dark eyes came in, limping a little, but not much. He seemed not quite a man of the world, a little shy in manner, yet he addressed me kindly and sociably. I guessed him to be Mr. Charles Swain, the poet, whom Mr. Bennoch had invited to dinner.

A year later and Hawthorne is looking for accommodation near the Art Treasures Exhibition, looks to Charles Swain for help. The lodging house must be quite substantial, as Hawthorne states 

We have taken the whole house (except some inscrutable holes, into which the family creeps . . . They appear to be good people; a little girl of twelve, a daughter, waits on table; and there is an elder daughter, who yesterday answered the doorbell, looking very like a young lady, besides five or six smaller children, 

The inscrutable holes must themselves be quite substantial to hide eight children and the landlady. 



Now then, where is this house. On Stretford Road, a mile from the Exhibition and three miles from Victoria Station. That's Stretford Road marked in yellow, with the site of the Exhibition circled in in blue (now the site of White City Shopping Centre). Old Trafford, as in Man Utd's ground, is circled in red, for reference.


This map shows part of Stretford Road about a mile away, and one of those houses may be the one that Hawthorne was lodging in. Or not.  As they only stayed there a couple of weeks I'm not going to lose sleep over it.

Hawthorne visited the Exhibition four times before the end of the month - and may have gone into work four or five days (21st, 23rd, 27th, 28th and 30th) across two weeks. Counting the days, counting the days.

This is all setting the scene for an in depth look at the Art Treasures exhibition over the next month. 

Liverpool Daily Post, 16 July 1857

The Arts Treasures exhibition attracted viewers from all over, special trains were laid on, whole factories had outings to the exhibition - including 700 from McFie’s sugar works at Birkenhead. It was a big deal. The point of it was to say that we in the North are not hicks from the sticks; we can put on the largest art exhibition the world has ever seen. We are a northern powerhouse.

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